← Back to fortinable.com Manual Library
Analog Polyphonic Synthesizer — User Manual
Moog Music Inc., Asheville, North Carolina
Source: https://pastebin.com/HGP8NHKQ | Latest manual: moogmusic.com/moogone
The Moog One is Moog Music's flagship polyphonic synthesizer — the first polyphonic instrument from Moog in over thirty years. Fully analog signal path, three-part multitimbral architecture, and over 200 front-panel knobs and buttons. It is simultaneously a serious live performance instrument and a deep sound design station.
| Specification | Moog One |
|---|---|
| Polyphony | 8 or 16 voices (stamped on serial number label on underside) |
| Timbres / Synths | 3 independent Synths per Preset (split, layered, or zoned) |
| Oscillators | 3 VCOs per voice — each generating dual simultaneous waveforms (Tri/Saw + Pulse), with OLED display |
| Ring Modulator | Oscillator-derived (OSC 1–2 or OSC 2–3) |
| Noise Generator | Dual-color noise with dedicated Envelope (White, Red, Purple) |
| External Input | XLR / ¼" TRS combo + Line Level ¼" TRS |
| Filters | State Variable Filter (SVF) + Classic Moog Ladder Filter — series or parallel |
| Envelopes | 3 per Synth (Filter EG, Amp EG, Mod EG) — DAHDSR with curves, loop, latch, sync |
| LFOs | 4 per Synth — syncable, polyrhythmic |
| Effects | Synth Effects (per Synth) + Master Effects (shared) including Eventide® reverbs |
| Modulation | Full Modulation Matrix with Transforms; DEST buttons on all LFOs and EGs |
| Arpeggiator | Per Synth, syncable to Master Clock |
| Sequencer | Per Synth, syncable to Master Clock |
| Keyboard | 61-note, velocity + aftertouch, selectable sensitivity curves |
| Left Hand Controller | Pitch wheel, Mod wheel, X/Y touchpad (3-axis), Octave buttons, Glide |
| Audio Outputs | Main L/R (balanced TRS), Sub L/R (balanced TRS), 4× Insert jacks |
| CV I/O | 2× CV In, 4× CV Out; EXP 1, EXP 2, Sustain pedal jacks also configurable as CV In |
| MIDI | 5-pin DIN In / Thru / Out + USB MIDI + LAN (Ethernet) |
| Performance Sets | Up to 128 sets × 64 Presets each (8 banks × 8 presets) |
| Presets | Near-unlimited storage |
| Weight | ~45 lbs — two-person recommended for moving |
| Power | Universal (100–240V, 50/60Hz), 19V DC locking connector |
| Warmup | Up to 5 minutes for VCO tuning to stabilize (analog oscillators) |
Turn MASTER VOLUME all the way down before connecting. Connect MAIN L and MAIN R to your mixer or monitors using ¼" balanced TRS cables (TRS-to-TRS or TRS-to-XLR). Unbalanced TS cables work but are not recommended. For headphones, turn HEADPHONES knob all the way down before plugging in (front panel, on the Left Hand Controller).
Every Preset in the Moog One can contain up to three independent Synths. These Synths can be:
Each Synth has its own: sound parameters, MIDI channel, note range, voice count, Arpeggiator, and Sequencer. The complete set of parameters defining a single Synth is called a Timbre.
Up to 128 Performance Sets, each containing up to 64 Presets in an 8×8 matrix (Banks A–H, Presets 1–8). Performance Sets store "pointers" to Presets — they don't contain the Presets themselves. Use for instant live access to specific Presets without browsing.
Snapshots are timestamped micro-saves of your in-progress edits. Press SNAPSHOT at any time while editing. View saved Snapshots with SHIFT + SNAPSHOT. Any Snapshot can be recalled, auditioned, or designated as the official saved version. Autosave runs continuously in the background to prevent accidental data loss.
↑ TopThe Front Panel is divided into three sections: Left Panel, Center Console, and Right Panel. The Front Panel is always live — turning a knob or pressing a button has immediate effect. Because Moog One is programmable, panel knob positions rarely match loaded values. Exceptions: MASTER VOLUME and HEADPHONES knobs, which are not affected by Preset loading.
Oscillators (×3 with OLED displays), LFOs (×4), Noise Generator, Ring Modulator, Arpeggiator, Sequencer, Master Clock, Chord, Polyphony
Mixer, State Variable Filters, Ladder Filter, Envelope Generators (×3), VCA, Output, Synth Effects, Master Effect Sends
| Type | Description |
|---|---|
| Traditional Knobs | Fixed destination, rotational limits — most panel controls |
| Soft Knobs | Infinite rotation, assignment changes based on current LCD screen — located below Center Console display |
| Master Encoder | Large center knob — scroll lists and make selections by pressing |
Nearly every module has a triangular MORE button in the upper right corner. Pressing it reveals a second level of parameters in the Center Console Display, controlled via Soft Knobs and the Master Encoder. Pressing the illuminated MORE button again closes it and returns to HOME.
All four LFOs and all three EGs have a DEST (Destination) button. Press DEST → the Modulation Quick Assign screen opens → touch or tweak any Front Panel parameter to make it the modulation destination → set amount → press DONE.
↑ TopThe Center Console contains the interactive LCD display plus eight dedicated buttons surrounding the Master Encoder.
| Button | Function |
|---|---|
| HOME | Returns to HOME screen: shows active Preset name, Timbre names, keyboard ranges for Synth 1/2/3, Master Clock tempo, and assigned tags. Key range indicators flash as notes are played. |
| SETTINGS | Access all Global, Library, and Tuning parameters |
| MOD | Opens the full Modulation Matrix — route any source to any destination in any amount, with optional controller and Transforms |
| DELETE | Contextual — removes modulation routing rows, deletes sequence data, etc. |
| SNAPSHOT | Timestamped micro-save of current state. SHIFT + SNAPSHOT = view all Snapshots. |
| SAVE | Save current settings as a Preset (including naming individual Timbres 1/2/3). Dims to remind you of unsaved changes. |
| COMPARE | Copies current settings to a buffer for A/B comparison while editing. SHIFT + COMPARE = initialize new Preset with Moog One defaults. |
| SHIFT | Used with other controls for fine resolution (hold SHIFT + turn Soft Knob for finer editing). Can be latched by press-and-release; blinks until pressed again. |
The Front Panel controls the currently selected Synth(s). Select using the SYNTH 1, 2, 3 buttons in the Panel Focus module. Hold one SYNTH button and press others to edit multiple Synths simultaneously.
Press any Controller button in the Expression Assign module, then tweak a knob to instantly link that controller to that parameter. Available controllers:
| Controller | Source |
|---|---|
| MW | Mod Wheel |
| PAD X | X/Y Pad horizontal axis |
| PAD Y | X/Y Pad vertical axis |
| KB | Keyboard note value |
| VEL | Keyboard velocity |
| AT | Aftertouch |
| EXP 1 | Expression Pedal input 1 |
| Control | Function |
|---|---|
| PITCH wheel | Spring-loaded pitch bend wheel. Bend Up and Bend Down range set independently via LHC MORE page. |
| MOD wheel | Assignable controller — most commonly controls modulation depth. Can be assigned to multiple destinations simultaneously via Mod Matrix or Expression Assign. MOD wheel position saves with Preset. |
| X/Y PAD | 3-axis touch surface: X (horizontal), Y (vertical), and Pressure. All three axes freely assignable. X/Y HOLD button: when lit, holds last pad value (saveable as part of Preset). Pad pressure also sends a Gate On signal usable as a Mod Matrix source. |
| OCTAVE buttons | Shift keyboard up or down by octave. Press both simultaneously to reset to default octave. Hold both to send MIDI Panic (All Notes Off + All Controllers Off). |
| GLIDE | Smooth pitch slides between notes. GLIDE RATE knob + GLIDE ON button. MORE page adds: Glide type, Legato mode, Glissando mode, Gated Glide. |
| HEADPHONES | Two front-facing stereo headphone outputs, controlled by HEADPHONES knob in Output module. |
| Connection | Details |
|---|---|
| MAIN L / MAIN R | Primary stereo outputs — ¼" balanced TRS. Controlled by MASTER VOLUME knob. |
| SUB L / SUB R | Secondary stereo outputs — ¼" balanced TRS. NOT affected by MASTER VOLUME knob. Each Synth can be assigned to MAIN, SUB, or both. |
| INSERT 1–4 | TRS jacks — tip = Send, ring = Return. With a TS cable, each works as an individual output. With a Y-insert cable, enables true insert processing. Pairs 1&2 and 3&4 are stereo normalled on the ring connections. |
| EXT INPUT | Neutrik combo (XLR / ¼" TRS / TS) with TRIM knob (-9 to +65 dB) + separate LINE input (¼" balanced TRS). Both appear as channels in the Mixer MORE page. |
| CV IN 1, 2 | Dedicated CV inputs for analog modular control |
| CV OUT 1–4 | Dedicated CV outputs |
| EXP 1, EXP 2 | Expression pedal inputs — also configurable as CV inputs |
| SUSTAIN | Sustain pedal input — also configurable as CV input |
| MIDI IN / THRU / OUT | 5-pin DIN. Each Synth can use a separate MIDI channel for multitimbral control. |
| USB | USB MIDI + system data to/from computer |
| USB HOST | Firmware updates via USB thumb drive; backup/restore; class-compliant MIDI devices |
| LAN | Ethernet (CAT-5) for remote servicing and future expansion |
| Power | 19V DC locking connector + power switch |
Three identical VCOs, each generating two simultaneous waveforms blended by a MIX knob into a single composite output. Each oscillator has an OLED display showing the composite waveform (static, based on parameter settings — does not reflect real-time modulation).
| Parameter | Range / Function |
|---|---|
| OCTAVE | 32', 16', 8', 4', 2' — pipe organ convention. 8' = standard pitch (middle C = MIDI 60). |
| FREQUENCY | -7 to +7 semitones — continuous pitch variation (up or down a perfect fifth) |
| BEAT FREQ | -7 to 0 to +7 Hz — constant Hertz offset for musical detuning that stays consistent across the keyboard (unlike semitone-based detuning) |
| WAVE button | Toggle: TRI (Triangle) or SAW (Sawtooth) mode |
| WAVE ANGLE (TRI mode) | Varies wave symmetry — center = Triangle; far left = Sawtooth shape; far right = Ramp (Reverse Sawtooth). Both rise and fall scale with pitch. |
| WAVE ANGLE (SAW mode) | Varies the Sawtooth reset time from 6 µs (classic Moog saw) to 1 ms (darker, less aggressive). Modulating this creates dynamic timbral variation. |
| Parameter | Range / Function |
|---|---|
| PULSE WIDTH | Variable duty cycle: far left = narrow pulse; center = square (50%); far right = wide pulse. Narrow and wide mirror images have identical harmonic content — the transition between them (PWM) creates the classic PWM sound. |
| Parameter | Function |
|---|---|
| MIX | Blend between Waveform 1 (Tri/Saw) and Waveform 2 (Pulse). Far left = Tri/Saw only; center = equal mix; far right = Pulse only. Combined waveform shown on OLED. |
| HARD SYNC (OSC 2, 3 only) | Forces oscillator to reset to match the phase peak of the master (default: OSC 1). Creates complex, aggressive, metallic timbres especially when the synced oscillator's frequency is modulated. HARD SYNC SRC parameter (MORE page) allows choosing a different sync source. |
| Parameter | Function |
|---|---|
| LFO 1 AMT | Amount of LFO 1 applied to pitch of all three oscillators (vibrato) |
| MOD EG AMT | Amount of Mod Envelope applied to pitch — bipolar (-10 to +10). Center = zero effect. |
| WAVE ANGLE / LFO 3 AMT | Amount of LFO 3 applied to Wave Angle of all oscillators |
| PULSE WIDTH / LFO 3 AMT | Amount of LFO 3 applied to Pulse Width of all oscillators |
Analyzes two oscillator signals — output is the sum and difference of their frequencies. Classic for metallic, robotic, inharmonic sounds. The Ring Mod output appears as a dedicated Mixer channel. Note: Ring Mod taps the Tri/Saw generators directly — not affected by PULSE WIDTH or MIX knobs.
| Parameter | Function |
|---|---|
| SOURCES 1–2 | OSC 1 and OSC 2 drive the Ring Modulator |
| SOURCES 2–3 | OSC 2 and OSC 3 drive the Ring Modulator |
Linear FM between oscillators. Creates complex harmonics.
| Parameter | Function |
|---|---|
| FM AMT | Depth of FM effect (0–10) |
| ROUTE 1→2 | OSC 1 modulates OSC 2's frequency |
| ROUTE 1→3 | OSC 1 modulates OSC 3's frequency |
| ROUTE 3→1 | OSC 3 modulates OSC 1's frequency |
| Parameter | Function |
|---|---|
| VCO MODE | Shows and sets Triangle / Sawtooth selection (mirrors WAVE button) |
| PITCH TRACKING | 0–200%. 100% = normal keyboard tracking. 0% = fixed pitch regardless of note. Useful for Ring Mod or extreme Hard Sync effects. |
| NOTE-ON RESET | Off = oscillator free-running (analog behavior). On = phase resets to zero at each note-on — creates extremely punchy bass and percussion sounds. |
| BEND UP OFFSET | Per-oscillator pitch bend offset when Pitch wheel moves up (-24 to +24 semitones). Negative values bend down. Enables creative harmonies/chords on pitch bend. |
| BEND DOWN OFFSET | Per-oscillator pitch bend offset when Pitch wheel moves down (-24 to +24 semitones). |
| HARD SYNC SRC (OSC 2, 3) | OSC 2: source = VCO 1 or VCO 3. OSC 3: source = VCO 1 or VCO 2. Default for both = VCO 1. |
Dual-color noise source with a dedicated Envelope Generator. Available as a separate Mixer channel.
| Color | Character |
|---|---|
| White Noise | Equal energy across all octave bands — classic noise for percussion, wind, breath effects |
| Red Noise (Brownian) | -6 dB/octave rolloff — low rumble character, reduced highs |
| Purple Noise (Violet) | +6 dB/octave rise — high hiss character, reduced lows |
| Parameter | Function |
|---|---|
| COLOR button | Selects pair: Red+White / Red+Purple / White+Purple |
| COLOR MIX | Blend between the two selected colors. Left = first color, Right = second color, Center = equal mix. |
| ATTACK | Noise Envelope attack time (1ms to 10 sec) |
| RELEASE | Noise Envelope release time (1ms to 10 sec) |
| SUSTAIN | On = noise continues as long as gate is open. Off = release acts as decay immediately after attack completes. |
Six input channels feeding two output busses (SVF filter bus and Ladder Filter bus). Each source can be independently routed to SVF, Ladder, or both.
| Channel | Controls |
|---|---|
| OSC 1 | Level knob + SVF button + LADDER button |
| OSC 2 | Level knob + SVF button + LADDER button |
| OSC 3 | Level knob + SVF button + LADDER button |
| RING MOD | Level knob + SVF button + LADDER button |
| NOISE | Level knob + SVF button + LADDER button |
| External Input | Controlled via Mixer MORE page (no front panel hardware) |
| Parameter | Options |
|---|---|
| EXT. INPUT LEVEL | 0% to 100% |
| EXT. INPUT ROUTE | None, SVF, Ladder, Both |
| EXT. INPUT SOURCE | None, Mic/Line (XLR combo), Line (¼" TRS), Mic/Line+Line |
The Moog One uses three analog filter circuits: two identical circuits forming the State Variable Filter (SVF), and the iconic Moog Ladder Filter. They can run in Parallel or Series (SVF → Ladder).
| Parameter | Range / Function |
|---|---|
| CUTOFF | 20Hz to 20kHz — operating frequency of the SVF |
| RESONANCE | 0 to 10 — emphasizes frequencies at the Cutoff. High settings can cause self-oscillation. |
| MODE | Cycles through: NOTCH (attenuates band around cutoff) / BP (passes band around cutoff) / HP (passes above cutoff) / LP (passes below cutoff) |
| Parameter | Range / Function |
|---|---|
| CUTOFF | 20Hz to 20kHz |
| RESONANCE | 0 to 10. At maximum with low cutoff: self-oscillation — produces a sine tone pitched to the cutoff frequency. |
| MODE | Toggle: HP (High Pass) or LP (Low Pass) |
| SLOPE | Attenuation steepness: 24dB/oct (classic Moog), 18dB/oct, 12dB/oct, 6dB/oct |
| Parameter | Function |
|---|---|
| LINK CUTOFF | When on, either CUTOFF knob moves both cutoffs together, preserving their relative offset. |
| ROUTE: PAR | Parallel — SVF and Ladder operate independently side by side |
| ROUTE: SER | Series — SVF output feeds into Ladder input. To hear full series result: route any source to SVF only, then set MIX fully right (100% Ladder). |
| MIX | Balance between SVF and Ladder outputs. Left = SVF favored; Right = Ladder favored; Center = equal blend. |
Select target filter(s) with SVF MOD and/or LADDER MOD buttons (can both be on simultaneously):
| Parameter | Function |
|---|---|
| EG AMT | -10 to +10 — Filter Envelope amount applied to selected filter(s) Cutoff. Bipolar. |
| LFO 2 AMT | 0 to 10 — LFO 2 amount applied to selected filter(s) Cutoff |
| FM AMT | 0 to 10 — Oscillator FM to selected filter(s) Cutoff. FM Source selected in Filter MORE page (independently for SVF and Ladder). |
| Parameter | Function |
|---|---|
| SVF SPACING | -100% to +100% — offsets Cutoff of SVF element B relative to element A. 0 = same frequency. |
| SVF SERIES/PARALLEL | Determines how the two elements inside the SVF module relate to each other (separate from the SVF/Ladder routing) |
| SVF FM SOURCE | OSC 1, 2, or 3 |
| LADDER FM SOURCE | OSC 1, 2, or 3 |
| SVF KEY TRACK | -200% to +200% — filter cutoff tracks keyboard. 100% = same rate as oscillators. 0% = no tracking. |
| LADDER KEY TRACK | -200% to +200% |
Three independent DAHDSR Envelope Generators per Synth: Filter EG, Amplifier EG, and Modulation EG. By default: Filter EG → filter cutoff; Amp EG → VCA level; Mod EG → available anywhere (hardwired to MOD EG AMT in Oscillator section). Any EG can be routed to any destination via DEST button or Mod Matrix.
| Parameter | Range / Function |
|---|---|
| ATTACK | 1ms to 10sec (+ MIN setting — near-zero, insensitive to TIME SCALE) |
| DECAY | 1ms to 10sec |
| SUSTAIN | 0 to 10 — level held while key/gate is open |
| RELEASE | 1ms to 10sec |
| MULTI TRIG | Off = legato playing doesn't retrigger (envelope continues from current position). On = new note always retriggers the Envelope from zero. |
| SYNC | When on, DAHDSR stages use musical clock divisions of Master Clock instead of seconds. Range: 1/64 to 64 bars. |
| LOOP | On = envelope repeats continuously (trapezoid signal — like a complex LFO). Release completes → Delay restarts. |
| LATCH | On = envelope holds at Sustain level even after key release. LOOP + LATCH = continues cycling after key release. |
| DEST | Quick-assign modulation destination (touch any parameter after pressing DEST) |
| Parameter | Function |
|---|---|
| DELAY TIME | 0.0ms to 10.0s — time before Attack begins after note-on. Default: 0. |
| HOLD TIME | 0.0ms to 10.0s — pause at peak of Attack before Decay begins. Setting ~10–100ms on Amp EG simulates Minimoog "envelope clipping" for extra bite. |
| RESET | On = new legato note restarts Attack from zero. Off = legato note starts Attack from current Envelope value. |
| TIME SCALE | 10% to 1000% — scales all stage times while preserving their ratios. MIN stage values are unaffected. Use velocity or keyboard tracking as mod source here for expressive articulation. |
| ATTACK CURVE | 100% LOG → LINEAR → 100% EXP |
| DECAY CURVE | 100% LOG → LINEAR → 100% EXP |
| RELEASE CURVE | 100% LOG → LINEAR → 100% EXP. Note: EXP curves can appear to shorten release — increase Release time to compensate. For truly long releases (near 10 sec), set TIME SCALE to ~9×. |
| VEL MOD AMT | -100% to +100% — velocity modulates envelope amplitude. +100% = softer playing = lower envelope output. -100% = inverse (harder playing = lower output). |
Four independent LFOs per Synth, each syncable to different Master Clock divisions for polyrhythmic modulation.
| Parameter | Range / Function |
|---|---|
| RATE | 0 to 10. When synced: selects Master Clock timing division. RATE LED flashes at current rate. |
| WAVE button | Cycles through 4 categories. Final shape set by VARIATION in LFO MORE page. |
| DEST | Quick modulation assignment (same as EG DEST) |
| WAVE Selection | VARIATION Range |
|---|---|
| TRI / SINE | Triangle ←→ Sine (VARIATION morphs between them) |
| PULSE | VARIATION changes pulse width / duty cycle |
| SAW / RAMP | Sawtooth ←→ Ramp (reverse sawtooth) |
| S&H / NOISE | Sample & Hold ←→ Noise |
| Parameter | Function |
|---|---|
| RANGE | Sets the frequency range available via the RATE knob |
| VARIATION | Morphs the LFO waveform within the selected category |
| SYNC | On = LFO rate locks to Master Clock divisions |
| PHASE | Starting phase of the LFO waveform |
| KEY RESET | Resets LFO phase on each new note-on |
| FADE IN | Time for LFO to fade in to full depth after note-on |
| MONO | All voices share one LFO phase (global) vs. each voice has its own |
The Voltage Controlled Amplifier controls overall voice level. The Amplifier Envelope (Amp EG) is hardwired to the VCA by default. Additional VCA modulation can be set up via the Mod Matrix.
| Parameter | Function |
|---|---|
| LEVEL | Base output level for the active Synth |
| PAN | Stereo panning position of the active Synth |
| VELOCITY | Amount that note velocity controls the VCA level |
| Parameter | Function |
|---|---|
| MASTER VOLUME | Global output level — affects MAIN L/R and HEADPHONES. Not saved with Presets. |
| HEADPHONES | Headphone output level (relative to Master Volume) |
| OUTPUT ASSIGN | Route each Synth to MAIN L/R, SUB L/R, or both (via Output MORE page) |
| INSERT ROUTING | Line Input → Insert 3 bus; XLR/combo → Insert 4 bus (via Output MORE page) |
Up to 128 Performance Sets, each with 8 banks (A–H) × 8 Presets (1–8) = 64 Presets per set. Accessed from the lower Right Panel. Performance Sets store pointers, not Presets themselves.
| Parameter | Function |
|---|---|
| TEMPO | Master BPM for all sync'd modules (Arpeggiators, Sequencers, LFOs, Envelopes, Effects) |
| TAP TEMPO | Tap the TEMPO button to set BPM by feel |
| SYNC SOURCE | Internal / MIDI Clock In / USB MIDI Clock |
| Mode | Function |
|---|---|
| HOLD | Sustains currently playing notes as if a sustain pedal were held |
| CHORD | Records a chord played on the keyboard; subsequent single notes trigger the full chord |
| MONO | Monophonic — one voice; last note takes priority |
| UNISON | All voices stack on each note for a massive detuned sound |
| POLY | Standard polyphonic mode |
| VOICE COUNT | Allocate available voices between Synth 1, 2, and 3 (MORE page) |
| VOICE PRIORITY | Determines which voice is stolen when polyphony is exhausted (Last, Low, High) |
Access via the MOD button in the Center Console. Routes any source to any destination in any amount, with optional controller assignment and Transforms.
| Source | Description |
|---|---|
| LFO 1–4 | Any of the four LFOs |
| Filter EG / Amp EG / Mod EG | Any of the three Envelope Generators |
| Noise EG | The Noise Generator's dedicated envelope |
| Velocity | Note velocity |
| Aftertouch | Keyboard aftertouch |
| MOD Wheel | MIDI CC 1 |
| Pitch Bend | Pitch wheel position |
| PAD X / PAD Y / PAD Pressure | X/Y touchpad axes |
| KB (Keytrack) | Note number as modulation signal |
| EXP 1 / EXP 2 | Expression pedals |
| CV IN 1 / 2 | External control voltages |
Transforms modify the modulation source signal before it reaches the destination. Options include: clipping/limiting (high/low limits), squaring, cubing the modulation signal — enabling non-linear, more expressive modulation curves.
A modulation route can optionally be mapped through a Controller (MW, PAD X, PAD Y, AT, EXP, etc.) to give the performer real-time control over how much of the source reaches the destination.
Each of the three Synths has its own independent Arpeggiator, syncable to the Master Clock.
| Parameter | Options / Function |
|---|---|
| ON button | Enable/disable the Arpeggiator |
| RATE | Speed — free or synced to Master Clock |
| MODE | Up, Down, Up-Down, As Played, Random, Order (MORE page) |
| RANGE | Octave range spanned (1–4+) |
| GATE | Note length as percentage of step length |
| SYNC | Lock to Master Clock |
| LATCH | Hold arpeggio active after releasing keys |
| STEP SIZE | Musical value per step (1/32, 1/16, 1/8, etc.) — MORE page |
| PATTERN | Rhythmic step patterns — MORE page |
Each Synth has its own independent step sequencer, syncable to the Master Clock.
| Parameter | Function |
|---|---|
| ON button | Enable/disable the Sequencer |
| RATE / SYNC | Tempo or Master Clock division |
| Step Count | Number of active steps |
| Step Note | Pitch per step (set by playing keyboard during record) |
| Step Velocity | Individual velocity per step |
| Step Gate | Note length per step |
| Direction | Forward, Backward, Ping-Pong, Random — MORE page |
| Transpose | Keyboard transposes the sequence in real time while it plays |
| REST / TIE | Insert rests (silence) or tied notes into sequence steps |
Each Synth has one dedicated effect slot. Applied only to that Synth's voices.
Shared by all three Synths via Send level controls in the Master Effects module. Includes Eventide® reverbs and other studio-grade processors.
| Effect | Description |
|---|---|
| Reverb (Eventide®) | Hall, Room, Plate, and other reverb algorithms — Eventide quality |
| Delay | Syncable delay with feedback, filter, and stereo spread |
| Chorus | Classic modulated delay for width and shimmer |
| Flanger | Short modulated delay with feedback for jet-sweep effects |
| Phaser | All-pass filter cascade for sweeping phase effects |
| Distortion / Drive | Overdrive/saturation for harmonic enrichment |
| EQ | Equalizer for tonal shaping |
| Compressor | Dynamic range control |
Individual Timbres (the sound settings for a single Synth) can be loaded independently — useful for building layered Presets from saved component sounds.
| Function | How It Works |
|---|---|
| COMPARE | Copies current Preset to a buffer. Tweak freely; press COMPARE again to hear the saved version vs. your edit. SHIFT + COMPARE = new initialized Preset. |
| SNAPSHOT | Timestamped micro-save at any moment during editing. SHIFT + SNAPSHOT = view all snapshots for current Preset. Any snapshot can be recalled or promoted to official saved version. |
| AUTOSAVE | Runs continuously — prevents accidental loss of in-progress work. |
| SAVE dim reminder | SAVE button lights dimly when parameters have been altered from their saved values. |
Access via SETTINGS button in the Center Console.
| Setting | Function |
|---|---|
| Knob Behavior | How panel knobs respond when loading Presets (Jump, Catch-Up, Relative) |
| Show Bank Preview | On = pressing a Bank button shows all assigned Presets before selecting |
| Velocity Curves | Keyboard velocity response curves for individual playing styles |
| Aftertouch Curve | Keyboard aftertouch sensitivity curves |
| Display Brightness | LCD screen brightness |
| Setting | Function |
|---|---|
| MIDI Channel (per Synth) | Each Synth can receive on a separate MIDI channel for full multitimbral control |
| MIDI Clock | Send/receive MIDI Clock for sync with external gear |
| MIDI CC | Configure which CCs control which parameters |
| Program Change | Enable/disable response to MIDI Program Change messages |
| SysEx | Send/receive SysEx data |
| Setting | Function |
|---|---|
| CV IN 1, 2 | Configure scaling and assignment for CV inputs |
| CV OUT 1–4 | Assign each CV Out to a parameter (pitch, gate, velocity, LFO, envelope, etc.) |
| EXP 1, 2 as CV | Configure expression pedal jacks as CV inputs |
| Sustain as CV | Configure sustain pedal jack as CV input |
| Setting | Function |
|---|---|
| Library | Manage, backup, and restore Preset libraries |
| Tuning | Master tune and microtuning options |
| Firmware Update | Update via USB HOST port (USB thumb drive) |
| Factory Reset | Restore defaults (requires confirmation) |
Nearly any Moog One parameter can be assigned to receive an incoming MIDI CC message. To use MIDI Learn:
MIDI Learn assignments are saved with the Preset.
A class-compliant USB MIDI keyboard (no additional drivers required) can be connected to the USB HOST port on the rear panel. The keyboard will be recognized automatically and will send note, velocity, and controller data to the Moog One.
| Spec | Value |
|---|---|
| Audio Outputs | Main L/R + Sub L/R — ¼" balanced TRS; 4× Insert jacks (TRS) |
| Audio Inputs | XLR/¼" combo (TRIM: -9 to +65 dB) + ¼" balanced TRS Line input |
| Headphones | 2× ¼" stereo TRS (front panel, on LHC), controlled by HEADPHONES knob |
| CV I/O | 2× CV In, 4× CV Out; EXP 1, EXP 2, Sustain jacks also configurable as CV In |
| MIDI | 5-pin DIN In / Thru / Out |
| USB | USB MIDI + USB HOST (firmware, backup, class-compliant devices) |
| LAN | Ethernet (CAT-5) — remote servicing and future expansion |
| Power | Universal 100–240V, 50/60Hz; 19V DC locking connector |
| Weight | ~45 lbs (two-person recommended for lifting) |
| Operating Temp | 50–95°F (10–35°C) optimal; 50–110°F (10–43°C) safe range |
| Storage Temp | 32–135°F (0–57°C) |
Moog Music website: moogmusic.com/moogone
Support email: support@moogmusic.com
Manual source (Pastebin): https://pastebin.com/HGP8NHKQ
fortinable.com Manual Library — Moog One
| Setting | Value | Notes |
|---|---|---|
| Oscillator Compensation | OFF | Leave off — causes tuning issues |
| Noise Reduction | 0.0 dB | Ensures punchy envelopes |
| Master Volume | 12 o'clock | Maintains -18dBFS average with current gain staging. Do not exceed 1-2 o'clock position. |
| LCD Dim Amount | Factory default | Preferred over custom setting |
| Panel LED Brightness | Factory default | Preferred over custom setting |
| MIDI Clock Source | USB | Under MIDI Control settings |
| MIDI IN Ports | USB | Under MIDI I/O settings |
| MIDI OUT Ports | USB | Under MIDI I/O settings |
| Timezone | GMT-7 | Pacific Daylight Time |