42 inputs total
| Unit | Model | Location | DSP | Role | Key Inputs |
|---|---|---|---|---|---|
| A Apollo 8 | Apollo 8 QUAD | Rack #1, 3U | QUAD Core | Monitor Unit | Moog One, Super 6, SH-1, CS-5, Prodigy, Odyssey MkI |
| B Apollo 16 #1 | Apollo 16 MkII QUAD | Rack #1, 5U | QUAD Core | Expander | Iridium, M1R, D-550, K4r, TVS-1, Pro One, 001, 002R/K5000R, 100f, System 100 |
| C Apollo 16 #2 | Apollo 16 MkII QUAD | Rack #1, 7U | QUAD Core | Expander | DMNO, OSCar40, MiniKorg 700, 3rd Wave, E4XT, SM10 Mix, Hydrasynth |
| D Apollo Twin | Apollo Twin MkII DUO | Main desk | DUO Core | Expander | SA47 mic (Combo 1), CP-70B (Combo 2) |
| UAD-2 Satellites #1 & #2 | Rack #1, 12U | OCTO Core ×2 | DAW Only | Cannot be used for Console Realtime UAD Processing — Cubase only |
Set April 4, 2026
| Unit | DSP Pairs | Virtual Ch. | Cores |
|---|---|---|---|
| A Apollo 8 | 2 | 4 | QUAD |
| B Apollo 16 #1 | 2 | 4 | QUAD |
| C Apollo 16 #2 | 2 | 4 | QUAD |
| D Apollo Twin | 2 | 0 | DUO |
| Setting | Value | Notes |
|---|---|---|
| Input Delay Compensation | OFF | Single source workflow — no multi-mic phase alignment needed |
| DSP Pairing Latency Cost | +69 samples per input | Only incurred when DSP is actually paired, not just when PAIRS > 0 |
| Cue Bus Count | 2 | Sufficient for current workflow |
| Alt Count / Digital Mirror | 0 / OFF | MixCubes managed as Cubase output bus — not Console ALT |
Console Settings → Hardware
| Setting | Value | Notes |
|---|---|---|
| Sample Rate | 48 kHz | Do not change — increasing sample rate worsens latency |
| Clock Source | Internal | Apollo manages all inter-unit clocking via Thunderbolt automatically |
| Input Delay Compensation | OFF | Single source workflow — no multi-mic phase alignment required |
| Cue Bus Count | 2 | Default — sufficient |
| Alt Count | 0 | MixCubes on dedicated Cubase bus, not Console ALT |
| Digital Mirror | OFF | Leave off |
| Mon Output Gain (A8) | ON | Apollo 8 monitor unit |
| Mon Level (A8) | 14 dBu | Verify during gain staging session |
| Output Reference Levels (A8) | +4 dBu all | Correct for pro gear throughout |
| Line Input Gain (A8) | ON — Moog One, Super 6 | Preamp channels only |
Console Settings → Options
| Setting | Value | Notes |
|---|---|---|
| Metering | Pre-Fader | Shows actual incoming signal level — correct for gain staging |
| Clip Hold | 3 sec | Default — fine |
| Peak Hold | 3 sec | Default — fine |
| Modifiers Timeout | 6 | Default — leave |
| Controls Mode | Linear | Correct for precise gain staging — drag up/down |
I/O Matrix — configured April 4, 2026
| Unit | Direction | Channels | Names | Purpose |
|---|---|---|---|---|
| A | OUT Console → DAW | Virt 1–4 | A8 Virt Out L/R/3/4 | Capture Console mix with UAD effects printed into Cubase |
| A | IN DAW → Console | Virt 1–4 | A8 Virt In L/R/3/4 | Route Cubase soft synth / ACE Studio into Console for Realtime UAD Processing |
| B | OUT Console → DAW | Virt 1–4 | 16-1 Virt Out L/R/3/4 | Capture Console mix from 16 #1 instruments |
| C | OUT Console → DAW | Virt 1–4 | 16-2 Virt Out L/R/3/4 | Capture Console mix from 16 #2 instruments |
| D | — | None | — | Twin has no virtual channels — CP-70B and mic only, no DAW routing needed |
I/O Matrix — named April 4, 2026
| Output | Label | Destination |
|---|---|---|
| Mon L | Mon L (HS8) | Yamaha HS8 left |
| Mon R | Mon R (HS8) | Yamaha HS8 right |
| Line 1 | MixCube L | Avantone MixCube left — Cubase bus |
| Line 2 | MixCube R | Avantone MixCube right — Cubase bus |
| Line 3 | E4XT In L | E-mu E4XT Ultra sample input L |
| Line 4 | E4XT In R | E-mu E4XT Ultra sample input R |
| Line 5 | 3rd Wave In | Groove Synthesis 3rd Wave sample input (mono) |
| Line 6 | CP-70B Rokit | CP-70B dedicated KRK Rokit 5 — Cubase bus |
| Line 7 | Available 7 | — |
| Line 8 | Available 8 | — |
Apollo Twin MkII — Combo Input 2 — Configured April 2026
Monitor path only (UAD MON). IO Preset: Master Setup. Brigade Chorus = renamed CE-1 emulation (Roland license expired) — not upsampled, safe for Console Realtime monitoring. Twin DUO configured with DSP Pairs: 2 — both cores used for this channel, supports 3 stacked plugins.
The Rokit feed is assigned in the Cubase track inspector, not in Console. Both monitors are active simultaneously — Console handles HS8s via UAD MON, Cubase handles Rokit via dedicated output bus. The CP-70B Rokit output bus must be set in the Cubase channel inspector for each session or saved in the Writing Session template.
All alternate output routing (beyond the main mix) is handled via dedicated Cubase output buses assigned to specific Apollo 8 line outputs. The method is identical for all destinations:
Set source instrument track output to E4XT In L/R in Cubase inspector. E4XT SUB 1 L/R outputs feed a dedicated KRK Rokit pair directly — isolated monitoring of only what's playing through the sampler, independent of Apollo. No Apollo involved in the E4XT monitoring path.
3rd Wave accepts a mono input for wavetable capture. Different workflow from E4XT sampling — wavetable import rather than traditional multi-sample recording.
| Template | Purpose | Default Routing |
|---|---|---|
| Writing Session | Composition and production | All instruments → main mix. CP-70B → Rokit bus active. |
| Sampling Template | E4XT multi-sample capture | Source instruments pre-routed to E4XT In L/R. E4XT record-armed. |
| Wavetabling Template | 3rd Wave wavetable import | Source instruments pre-routed to 3rd Wave In. Mono. |
Users/[UserName]/Documents/Universal Audio/IOPresets/ with .uaudio extension. Directly editable in TextEdit for channel reordering. The only reliable way to reorder channels in a multi-unit setup.https://media.uaudio.com/support/manuals/11.4.0-2roV4n/Apollo+Software+Manual+-+Thunderbolt.pdf. Console Manual itself is web-only at help.uaudio.com.